The Hi-Lo Bro Show

Harakiri/Colors - The Hi-Lo Bro Show - Ep 8 - August 2022

August 21, 2022 Richard Ryan and Garrett Chaffin-Quiray
Harakiri/Colors - The Hi-Lo Bro Show - Ep 8 - August 2022
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The Hi-Lo Bro Show
Harakiri/Colors - The Hi-Lo Bro Show - Ep 8 - August 2022
Aug 21, 2022
Richard Ryan and Garrett Chaffin-Quiray

This is the one where Richard blazons the samurai katana, wakizashi, and the tanto, and Garrett remembers thinking that a photorealist depiction of gang violence might be the right way to woo a romantic partner.

***

Referenced media:

  • “The Last Samurai” (Edward Zwick, 2003)
  • “Ronin” (John Frankenheimer, 1998)
  • “Seven Samurai” (Akira Kurosawa, 1954)
  • “The Magnificent Seven” (John Sturges, 1960)
  • “The Magnificent Seven” (Antoine Fuqua, 2016)
  • “The Outlaw Josey Wales” (Clint Eastwood, 1976)
  • “First Blood” (Ted Kotcheff, 1982)
  • “Gladiator” (Ridley Scott, 2000)
  • “Rashomon” (Akira Kurosawa, 1950)
  • “Se7en” (David Fincher, 1995)
  • “King Kong vs. Godzilla” (Ishirō Honda, 1962)
  • “The Tale of Zatoichi Continues” (Kazuo Mori, 1962)
  • “The Leopard” (Luchino Visconti, 1963)
  • “This Sporting Life” (Lindsay Anderson, 1963)
  • “What Ever Happened to Baby Jane?” (Robert Aldrich, 1962)
  • “The Exterminating Angel” (Luis Buñuel, 1962)
  • “An Autumn Afternoon” (Yasujirō Ozu, 1962)
  • “Knife in the Water” (Roman Polanski, 1962)
  • “RoGoPaG” (Roberto Rossellini, Ugo Gregoretti, Jean-Luc Godard, and Pier Paolo Pasolini, 1963)
  • “The Pawn Broker” (Sidney Lumet, 1964)
  • “A Hard Day’s Night” (Richard Lester, 1964)
  • “Marnie” (Alfred Hitchcock, 1964)
  • “The Gospel According to St. Matthew” (Pier Paolo Pasolini, 1964)
  • “The Texas Chainsaw Massacre” (Tobe Hooper, 1974)
  • “Psycho” (Alfred Hitchcock, 1960)
  • “The Birds” (Alfred Hitchcock, 1963)
  • “The Last House on the Left” (Wes Craven, 1972)
  • “The Human Condition—No Greater Love” (Masaki Kobayashi, 1959)
  • “The Human Condition—Road to Eternity” (Masaki Kobayashi, 1959)
  • “The Human Condition—A Soldier’s Prayer” (Masaki Kobayashi, 1961)
  • “Fellini’s Casanova” (Federico Fellini, 1976)
  • “Easy Rider” (Dennis Hopper, 1969)
  • “Boyz n the Hood” (John Singleton, 1991)
  • “Menace II Society” (The Hughes Brothers, 1993)
  • “New Jack City” (Mario Van Peebles, 1991)
  • “Above the Law” (Andrew Davis, 1988)
  • “Action Jackson” (Craig R. Baxley, 1988)
  • “Stand and Deliver” (Ramón Menéndez, 1988)
  • “Shane” (George Stevens, 1953)
  • “Joe Kidd” (John Sturges, 1972)
  • “The Godfather” (Francis Ford Coppola, 1972)
  • “Tender Mercies” (Bruce Beresford, 1983)
  • “The Great Santini” (Lewis John Carlino, 1979)
  • “Fast Times at Ridgemont High” (Amy Heckerling, 1982)
  • “Taps” (Harold Becker, 1981)
  • “The Falcon and the Snowman” (John Schlesinger, 1985)
  • “Milk” (Gus Van Sant, 2008)
Show Notes

This is the one where Richard blazons the samurai katana, wakizashi, and the tanto, and Garrett remembers thinking that a photorealist depiction of gang violence might be the right way to woo a romantic partner.

***

Referenced media:

  • “The Last Samurai” (Edward Zwick, 2003)
  • “Ronin” (John Frankenheimer, 1998)
  • “Seven Samurai” (Akira Kurosawa, 1954)
  • “The Magnificent Seven” (John Sturges, 1960)
  • “The Magnificent Seven” (Antoine Fuqua, 2016)
  • “The Outlaw Josey Wales” (Clint Eastwood, 1976)
  • “First Blood” (Ted Kotcheff, 1982)
  • “Gladiator” (Ridley Scott, 2000)
  • “Rashomon” (Akira Kurosawa, 1950)
  • “Se7en” (David Fincher, 1995)
  • “King Kong vs. Godzilla” (Ishirō Honda, 1962)
  • “The Tale of Zatoichi Continues” (Kazuo Mori, 1962)
  • “The Leopard” (Luchino Visconti, 1963)
  • “This Sporting Life” (Lindsay Anderson, 1963)
  • “What Ever Happened to Baby Jane?” (Robert Aldrich, 1962)
  • “The Exterminating Angel” (Luis Buñuel, 1962)
  • “An Autumn Afternoon” (Yasujirō Ozu, 1962)
  • “Knife in the Water” (Roman Polanski, 1962)
  • “RoGoPaG” (Roberto Rossellini, Ugo Gregoretti, Jean-Luc Godard, and Pier Paolo Pasolini, 1963)
  • “The Pawn Broker” (Sidney Lumet, 1964)
  • “A Hard Day’s Night” (Richard Lester, 1964)
  • “Marnie” (Alfred Hitchcock, 1964)
  • “The Gospel According to St. Matthew” (Pier Paolo Pasolini, 1964)
  • “The Texas Chainsaw Massacre” (Tobe Hooper, 1974)
  • “Psycho” (Alfred Hitchcock, 1960)
  • “The Birds” (Alfred Hitchcock, 1963)
  • “The Last House on the Left” (Wes Craven, 1972)
  • “The Human Condition—No Greater Love” (Masaki Kobayashi, 1959)
  • “The Human Condition—Road to Eternity” (Masaki Kobayashi, 1959)
  • “The Human Condition—A Soldier’s Prayer” (Masaki Kobayashi, 1961)
  • “Fellini’s Casanova” (Federico Fellini, 1976)
  • “Easy Rider” (Dennis Hopper, 1969)
  • “Boyz n the Hood” (John Singleton, 1991)
  • “Menace II Society” (The Hughes Brothers, 1993)
  • “New Jack City” (Mario Van Peebles, 1991)
  • “Above the Law” (Andrew Davis, 1988)
  • “Action Jackson” (Craig R. Baxley, 1988)
  • “Stand and Deliver” (Ramón Menéndez, 1988)
  • “Shane” (George Stevens, 1953)
  • “Joe Kidd” (John Sturges, 1972)
  • “The Godfather” (Francis Ford Coppola, 1972)
  • “Tender Mercies” (Bruce Beresford, 1983)
  • “The Great Santini” (Lewis John Carlino, 1979)
  • “Fast Times at Ridgemont High” (Amy Heckerling, 1982)
  • “Taps” (Harold Becker, 1981)
  • “The Falcon and the Snowman” (John Schlesinger, 1985)
  • “Milk” (Gus Van Sant, 2008)